Sunday, May 31, 2026

 

THE SPIRITUAL POWER OF MUSIC # 8

"Divine sound is the cause of all manifestation.

The knower of the mystery of sound

knows the mystery of the universe." Hazrat Inayat Khan


We can use music and sound to meditate and even 'beyond' meditation to achieve

advanced altered states of consciousness.

It is essential that we find the music

that speaks to each of our own individual souls.

The genres we choose will often give us a sense of

who we were in past lives. Chassidic and Celtic music, to me, feel more like the

African genre that I love and make me want to move.

Sound is profound - the more so when embodied !

When I was initiated as a sangoma (Zulu equivalent of shaman)

in Swaziland around the time of the new millennium

I was told that I would have to dance

to the sound of the drum to allow the Ancestors to come through.

I already had a fairly advanced yoga asana and pranayama practice at the time which helped

but they alone never got me as far as the dancing and drumming, done at night

and in the early hours of the morning

(when the Veil between the Worlds is the most permeable.)

"The Kundalini in the form of latency is coiled like a serpent.

One who impels this Shakti (Feminine Power)

to move will attain liberation." Hatha Yoga Pradipika

"A human's spiritual consciousness is not awakened until his/her 

Kundalini is aroused." Sri Ramakrishna

Interest in Shamanism is huge at the moment but in indigenous Southern Africa, initiation

is dependent on whether the drumming and dancing allow the "Umbilini" to emerge

and take over. The yoga equivalent is the Kundalini which is the key to

Self-Realization. Sangomas on the other hand use Umbilini

so that they can channel the Ancestors in order to help others. The energy is similar.

The San Bushmen call it Num which with complex chants, harmonies,

clapping, rattles around the legs of the dancers, the fire

and the Kalahari night enables them to trance and travel out of body to the spirit world.

The Bantu and San medicine women and men of Southern Africa would replace 

the yogis' 'spiritual consciousness' through the Kundalini 

with all the facets that have to do with healing

viz.- diagnosis and the corrective measures required. 

Their indigenous process is initiated by a Kundalini-like experience (witnessed as shaking)

which the Zulu call Umbilini. The San Bushmen call it Num

and rather than shake they fall down, paralyzed in trance.

The energy is universal -

we all have it. The yogis also describe its sophisticated anatomy

in terms of the Chakras and Unity Consciousness or the Oneness Experience.

This occurs when the Knower, the Known and the Process of Knowing

fuse and become One Thing. It's not as mysterious as it sounds.

Maslow called it a Peak Experience .... when the dancer 'becomes' the dance.

Some of you may have had it but did not recognize it or invalidated it.

For instance; when viewing a sunset; the Knower - You, the Sunset - the Known

and Process of viewing it - fuse into One thing. You become the sunset.

For most of us this occurs rarely by grace and quickly disappears.

The Bantu peoples and Kalahari San Bushmen healers can control it

using sound and dancing for its facilitation.

The differences between the Bantu and San Bushmen tribes of Southern Africa are that

the San travel out of body into the spirit world (and fall motionless on the ground)

to access non-local information from the 'Field.' 

 Sangomas, however, glean the information

with dancing and drumming which allows the ego to step aside so that

they becomes a channel for the spirit to transmit non-local wisdom from the

the Ancestors.

In all instances the sound that catalyzes the process is basic, repetitive and simple.

Adrian Poole (University College London)

compared the rhythms used in Pygmy and Bushmen music.

He stated that the 3:2 pattern seems to form the structural basis for many

Pygmy/Bushmen mind-altering experiences and other

sub-Saharan Africans including the Bantu.

Native American

Across many  of their communities, the drum embodies the 

"heartbeat of Mother Earth".

 It is not merely a percussion instrument, but a sacred bridge used to 

connect with the Ancestors.

The heartbeat rhythm is also simple, repetitive, of low-frequency and is believed

to facilitate transition into altered states. It is also

 combined with chanting and dancing, as well as in sacred environments 

such as a sweat lodge.

The force of the Primal, manifest as love is the glory of God.

We need to be humble and return to our Primal origins for the truth about 

spiritual concepts now lost to us in the West.

 These original truths will never change.


(For those interested - this video, shot by myself around the time of the 

millennium, shows the San Bushmen out of body spirit 

trance dance. It's short.)

https://www.davidcumes.com/videos_5.html

This video below demonstrates some of spects the sangoma model​ 

especially note the shaking. (Also short.)



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